Minggu, 16 Desember 2012

[F893.Ebook] Fee Download Charlie Parker Omnibook: For All Bass Clef Instruments

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  • Published on: 1800
  • Binding: Spiral-bound

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Selasa, 11 Desember 2012

[E938.Ebook] Ebook Download Stickhandling through the Margins: First Nations Hockey in Canada, by Michael A. Robidoux

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Stickhandling through the Margins: First Nations Hockey in Canada, by Michael A. Robidoux

Some of hockey’s fiercest and most passionate players and fans can be found among Canada's First Nations populations, including NHL greats Jordin Tootoo, Jonathan Cheechoo, and Gino Odjick. At first glance the importance of hockey to the country's Aboriginal peoples may seem to indicate assimilation into mainstream society, but Michael A. Robidoux reveals that the game is played and understood very differently in this cultural context. Rather than capitulating to the Euro-Canadian construct of sport, First Nations hockey has become an important site for expressing rich local knowledge and culture.

With stories and observations gleaned from three years of ethnographic research, Stickhandling through the Margins richly illustrates how hockey is played and experienced by First Nations peoples across Canada, both in isolated reserve communities and at tournaments that bring together participants from across the country. Robidoux's vivid description transports readers into the world of First Nations hockey, revealing it to be a highly social and at times even spiritual activity ripe with hidden layers of meaning that are often surprising to the outside observer.

  • Sales Rank: #2877672 in eBooks
  • Published on: 2012-04-04
  • Released on: 2013-08-08
  • Format: Kindle eBook

Review
‘Engaging, approachable, and informative,�Stickhandling through the Margins will be of interest to those who not only play and follow hockey, but also those �who think critically about it. Michael A. Robidoux offers a wonderful account of the interconnections between sport and survival in First Nations communities, communicating complex ideas about social life with clarity and ease. This splendid and theoretically rich ethnography really exemplifies what good work in sport studies should look like.’ (C. Richard King, Department of Critical Culture, Gender, and Race Studies, Washington State University)

‘A sincere pleasure to read, Stickhandling through the Margins provides rich observations about the First Nations hockey scene and demonstrates Michael A. Robidoux's great passion for the subject.’ (Gamal Abdel-Shehid, Graduate Programme in Social and Political Thought, York University)

About the Author
Michael A. Robidoux is an associate professor in the School of Human Kinetics and the Indigenous Health Research Group at the University of Ottawa.

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Senin, 03 Desember 2012

[W607.Ebook] Free Ebook Poetic Meter and Poetic Form, by Paul Fussell

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Poetic Meter and Poetic Form, by Paul Fussell

Excerpts from distinctive poems illustrate the author's appreciation of the metrical and formal aspects of poetry

  • Sales Rank: #123105 in Books
  • Brand: Fussell, Paul
  • Published on: 1979-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .45" w x 5.50" l, .44 pounds
  • Binding: Paperback
  • 190 pages

From the Back Cover
The title of this book may suggest that it is designed as a latter-day Gradus ad Parnassum to teach aspiring writers to produce passable verses. It is not. It is intended to help aspiring readers deepen their sensitivity to the rhythmical and formal properties of poetry and thus heighten their pleasure and illumination as an appropriately skilled audience of an exacting art.

About the Author
Paul Fussell, critic, essayist, and cultural commentator, has recently won the H. L. Mencken Award of the Free Press Association. Among his books are "The Great War and Modem Memory, " which in 1976 won both the National Book Critics Circle Award and the National Book Award; "Abroad: British Literary Traveling Between the Wars; Wartime: Understanding and Behavior in the Second World War;" and, most recently, "BAD or, The Dumbing of America." His essays have been collected in "The Boy Scout Handbook and Other Observations" and "Thank God for the Atom Bomb and Other Essays." He lives in Philadelphia, where he teaches English at the University of Pennsylvania.

Most helpful customer reviews

85 of 86 people found the following review helpful.
And for the poet!
By Stephanie L. Wilde
Fussell's foreword says that his book is for aspiring readers, not aspiring writers. But if you are an aspiring poet, I think Fussell has something to offer that is absent in most "handbooks".

One of the most important things Fussell addresses is how the form of a poem affects the meaning and impression of the total poem. For example, he notes how many poetic forms are inevitably coloured by their initial or most famous use. He says regarding Tennyson's In Memoriam stanza-form, that it "is now so closely associated with the sturdy, serviceable elegaic atmosphere of In Memoriam itself that...its uses now seem limited to occasions which either resemble or mock the original" (Ch 8 The English Stanzas).

Another chapter that poets will find helpful is Metrical Variations, in which Fussell examines how poets substitute variant feet to create particular effects. Or if your interest is in free verse, he devotes a chapter to examining the characteristics of successful free verse, including how line breaks create effects.

This is not a substitute for a general handbook of poetry, and assumes a minimal knowledge of poetic technique, meter, &c. But if you are serious about reading or writing poetry, I don't think you can afford to miss this book.

77 of 83 people found the following review helpful.
Not for the neophyte, but a tremendous study
By Rocco Dormarunno
When I was 21 and in my first year of graduate school, Paul Fussell's "Poetic Meter and Poetic Form" was one of the first text books assigned to me. When I bought the book and saw how slim it was, I snickered, "Grad school's gonna be a walk in the park!"

Yeah, RIGHT!

This densely packed tome is not for the uninitiated and definitely not absorbed in just one reading. On and off, over the last 20 years, I have come back to this book to refresh my memory and, usually, to astonish myself. The book's real strength, besides Professor Fussell's obvious command of his subject, and his ability to convey that command, is in the sprinkling of dozens of anecdotes by and about poets about other poets and poetry. Even at this late date in my life, I can't pretend to understand the entire book but what I do understand I admire and respect. "Poetic Meter and Poetic Form" is not recommended to anyone studying poetry; it is urgently required.

32 of 32 people found the following review helpful.
a classic in the field of formal verse
By wjg@brooktrout.com
This book is a classic of prosodic exposition. (And understand, when I call a book a classic, I am not just lapsing into a cliche; it really IS a classic.) Fussell shows us the relations between form and content, between rhyme and rhythm on the one hand and the function of these formal devices to illuminate meaning on the other. The book also devotes a chapter to empirical observations on the properties of free verse, and it includes a concise bibliography of other works on prosody. Highly recommended.

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Kamis, 29 November 2012

[Z979.Ebook] Free Ebook All The Pretty Things: (Revised Edition), by Rae D. Magdon, Michelle Magly

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With the launch of her political campaign, the last thing Tess needed was a distraction. She had enough to deal with running as a Republican and a closeted lesbian. But when Special Agent Robin Hart from the FBI arrives in Cincinnati to investigate a corruption case, Tess finds herself spending more time than she should with the attractive woman. Things get a little more complicated when Robin begins to display signs of affection, and Tess fears her own outing might erupt in political scandal and sink all chances of pursuing her dreams.

  • Sales Rank: #1102451 in Books
  • Published on: 2015-04-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .50" w x 6.00" l, .67 pounds
  • Binding: Paperback
  • 222 pages

Most helpful customer reviews

5 of 5 people found the following review helpful.
Hot, Sexy and Smooth
By A Customer
I really enjoyed this book and I like the fact that the author(s) did not try and "romance" up the sex scenes, but gave what I thought was a very realistic earthy and HOT description of events. I do like sex in my books and this one hit the top five of favorites. I do not like descriptions of body parts of "flowers opening" and etc and luckily they did not have that here. The main characters are fun, serious, sexy and strong. The plot is easy and not convuluted so it makes for an easy enjoyable read. I enjoyed this book so much that I immediately looked to see if they published anything else on amazon and then quickly moved to finding one of the authors website. Highly recommend if you like a good story line with some amazing hot sex scenes too. Some minor BDSM and great dirty talk are included.

4 of 4 people found the following review helpful.
Good Beach Read
By RosesAreRed
I enjoyed the book very much. It did not grab me from the beginning like some books do but the story unfolded nicely, if predictably, and I loved the characters. Great sex scenes, including light BDSM. The political story added something a little different, even if the closeted politician has been done in other books (and done better). All in all, an enjoyable read while I'm on vacation (beach reading).

3 of 3 people found the following review helpful.
A Sexy, Smart And Enjoyable Read From Start To Finish
By AmityN7
"All The Pretty Things" is a brilliant novel that tells a incredibly enjoyable romance story between two characters who are not only fully realized but fun to read. The relationship development between the two leads Tess and Robin is the highlight of the story for me. Seeing the two come together and how their relationship grows throughout the course of the novel was what kept me reading and what kept me loving what I read.

While the story does move away from some plotlines it establishes early on in favor of focusing on the romantic plotline it's hard to complain because of how well that plotline is written.

The characters themselves were outstanding. Specifically the leads Tess and Robin were written skillfully enough that they both had distinct character voices and were both enjoyable. Supporting characters like Samantha were also treated with the same talent.

The story flowed very well and had top notch pacing that had me reading more in one sitting than I have in years. At times the book was impossible to put down.

Not only would I read something from the author again I would love to see these characters again and see where they go next. This book deserves it's 5 stars and it deserves your time and money.

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[K692.Ebook] PDF Ebook The Italian Renaissance, by Peter Burke

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The Italian Renaissance, by Peter Burke


In this newly revised edition of his widely acclaimed work, Peter Burke presents a social and cultural history of the Italian Renaissance. He discusses the social and political institutions that existed in Italy during the fifteenth and sixteenth centuries, and he analyzes the ways of thinking and seeing that characterized this period of extraordinary artistic creativity. Developing a distinctive approach, the author is concerned not only with the finished works of Michelangelo, Raphael, Leonardo da Vinci, and others, but also with the social background, patterns of recruitment, and means of subsistence of this "cultural elite." He thus makes a major contribution both to our understanding of the Italian Renaissance and to our comprehension of the complex relations between culture and society.


  • Sales Rank: #1565850 in Books
  • Brand: Brand: Princeton University Press
  • Published on: 1999-04-26
  • Original language: English
  • Number of items: 1
  • Dimensions: .78" h x 6.04" w x 9.03" l, 1.01 pounds
  • Binding: Paperback
  • 312 pages
Features
  • Used Book in Good Condition

Review
"[This book's] fundamental concern with exploring in a rigorous fashion how cultural change and--to admit one's bias--achievement is related to the economic, social, and political structure of an age remains a vital interest."--Joachim W. Stieber, The Sixteenth Century Journal



"A superb introduction to Renaissance culture and society."--Renaissance Quarterly



"A fascinating tour de force."--American Historical Review



"Burke handles both breadth and depth of a most creative and complex period with balance, sensibility, and solid supportive arguments.... This is an indispensable study for historians, sociologists, and anyone interested in one of the most remarkable periods of European history."--Choice

About the Author
Peter Burke is Reader in Cultural History at the University of Cambridge and Fellow of Emmanuel College, Cambridge.

Most helpful customer reviews

65 of 69 people found the following review helpful.
Includes Leonardo's 10 Year Guarantee!
By Bruce Loveitt
I sometimes get a bit nervous when I buy a book written, supposedly, for the general public by an academic. Is the book going to be written in "normal" English, or am I going to be bombarded by jargon and a clunky style? Happily, Peter Burke appears to believe in "plain-speaking". He also has a sense of humor, which helps. Additionally, he doesn't go off the deep end when coming to conclusions. He is prudent and cautious. If he can't say something definitive, if statistical or other types of evidence just aren't there, he isn't afraid to tell you so. Mr. Burke attempts to explain why the Renaissance happened in Italy and why it started when it did. This leads to the importance of the city-states, such as Florence, Milan, Venice, etc. Artists and sculptors oftimes were the children of craftsmen, and the city-states were populated by many craftsmen. Humanists and scientists were usually the children of "professional" people, and were educated at universities. Again, professionals and universities tended to be found in or near urban centers. Why did Italy have so many city-states? Because, during the period of the Italian Renaissance, Italy was a natural trade center.....right between the Middle East and Northern Europe. This created wealth, which led to the city-states, which also led to new sources of patronage, as the new merchant class looked for ways to spend their money and impress each other. When the Atlantic trade routes opened, and also after the Portuguese led the way around the Cape of Good Hope, Italy lost its place as the "hinge" of trade. Of course, I am greatly simplifying Mr. Burke's arguments, as they are much more complex and nuanced. But, I think I am giving you the general drift. In any case, what makes the book really interesting is that Mr. Burke grounds his theories in the everyday. He talks very specifically about painters, sculptors, architects, musicians, writers, etc. He tells you how they got their training, who they worked for and who called the shots......patron, artist, or both. The "case histories" are both fascinating and funny. Some examples? "More precise evidence about the relative importance of patrons and artists and the expectations of both parties is provided by the scores of surviving contracts....Contracts often specified that the materials employed be of high quality.....Leonardo's contract for "The Virgin Of The Rocks" gives a ten-year guarantee; if anything was to need repainting within that period, it was to be at the expense of the artist. One wonders if Leonardo gave a similar guarantee in the case of his flaky "Last Supper". (I can just see the author delivering this line in a lecture, with a deadpan expression!) This was also a time when the status of the artist was in flux. Before the Renaissance the artist was considered to be just another craftsman in the employ of a "great" man or lady. But as the city-state grew in importance, and as the merchant and craftsman grew in importance, the status of the artist started to change. In the period of change, the artist looked for reasons why he should be considered to be "high-class". To quote the author: "Another point in favor of the high status of painting, and one which reveals something of Renaissance assumptions or mentalities, was that the painter could wear fine clothes while he was at work. As Cennini put it: 'Know that painting on panel is a gentleman's job, for you can do what you want with velvet on your back.' And Leonardo: 'The painter sits at his ease in front of his work, dressed as he pleases, and moves his light brush with the beautiful colours...often accompanied by musicians or readers of various beautiful works.' " As the person actually doing the creating started to become more important and independent, what the patron began looking for could be rather amusing. One nobleman, who was looking for a "court musician" and had narrowed the choice down to two men, picked the less talented man- because he was both cheaper and he would compose music "on demand". The other fellow only composed when he felt like it! The book is filled with many concrete examples such as the ones I have mentioned, which makes it very enjoyable indeed....although Mr. Burke does also mix in some statistics, where appropriate, to allow the book to stand on its own two feet academically. The book also branches off into interesting little side areas; the change in subject matter over the course of the Renaissance; the incorporation of allegories which were meant to have poliical overtones; who taught the classically untrained artists about mythology so they would know enough to do history paintings?; censorship of the arts- on one occasion Veronese was asked to explain "why he had included in a painting of 'The Last Supper' what the inquisitors called 'buffoons, drunkards, Germans, dwarfs and similar vulgarities'. " If you are at all curious about the Renaissance, do yourself a favor and get yourself a copy of this very good book.

3 of 3 people found the following review helpful.
The Picturesque Italian Renaissance
By Rebecca Graf
The Renaissance was a time of romance, the arts, and resurgence in religion and education. It has been a period of much research and reflection. Most of the attention during the Renaissance period can be found in Italy where culture exploded and took the world by storm. Peter Burke dives into the society and culture of this most fascinating period in his book, The Italian Renaissance: Culture and Society in Italy.

This is not necessarily a history book as much as a study into the culture of Italy during the Renaissance period. Yet, how can history be studied without looking into Renaissance art, politics, economics, worldviews, and religion? Truthfully, it is impossible.

Burke takes the reader deep into the world of the artist like no other book but an art book can. He discusses the recruitment and training of the artists as well as how art was viewed by the public at large. He goes into who the patrons were and how the art was used in religion, politics, and just for the visual pleasure of it. Music, as well as literature, is discussed as to how Italian society embraced the changes and encouraged experimentation in each of them.

The predominant worldviews are discussed as how man begins to look at the universe around him as well as looking within himself. Burke does an excellent job of showing how man took a step backward and began to look at everything in a whole new light.
The only traditional history that you will find discussed in these pages is found in bits and pieces centering around the religious and political aspects of society. This is a book written to expose one to one particular cultural area of Europe that greatly influenced the whole of Christendom. It gives the reader a glimpse into a layer of history that is rarely visited at such depths.

I did love the fact that the book has plenty of Renaissance pictures between the pages to show the reader exactly what is being discussed. Though only in black and white, they show why the art was transforming and in such high demand. For visual readers, like myself, this is a very big plus.

An extensive bibliography can be found that will have a Renaissance lover drooling. It including many modern sources as well as numerous primary sources in the original languages listed. You would be hard pressed to not find a book on the Italian Renaissance culture listed here.

If you love the Italian Renaissance period, this is a book that you will enjoy. You will discover the many layers of the artistic world as well as that of the nobility.

7 of 11 people found the following review helpful.
Readable and interesting
By David Withun
This is a good and fairly readable introduction to the Italian Renaissance; for those interested in the topic, it seems like a decent introduction -- it worked for me. That said, it's got more than its share of problems as well. First, a minor complaint: the art in the book should have been printed in full color, not black and white. Black and white reproductions of Renaissance art are about as worthless as three-dollar bills; the viewer completely misses the beauty of the art and so the inclusion of it at all is a waste of time. My major complaint: The constant need to reference Marxist and feminist historiography was obnoxious. Hegel, through Marx, has severely damaged the history of Western culture, and this book is evidence of that. Viewing the Renaissance in the 21st century through the lens of 19th century movements like Marxism and feminism produces anachronism, inaccuracy, and projection -- in other words, it makes for bad history. If you can get past that, it's not a bad book.

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Minggu, 25 November 2012

[Q999.Ebook] Ebook Download Pimp: The Story of My Life, by Iceberg Slim

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Pimp: The Story of My Life, by Iceberg Slim

A blueprint. A bible. What Sun Tzu's Art of War was to ancient China, Pimp is to the streets. As real as you can get without jumping in, this is the story of Iceberg Slim's life as he saw, felt, tasted, and smelled it. It is a trip through hell by the one man who lived to tell the tale--the dangers of jail, addiction, and death that are still all too familiar for today's black community. By telling the story of one man's struggles and triumphs in an underground world, Pimp shows us the game doesn't change; it just has a different swagger.

Only Slim could tell this story and make the reader feel it. If you thought Hustle & Flow was the true pimp story, this book is where it all began. This is the heyday of the pimp, the hard-won pride and glory, small though it may be; the beginnings of pimp before it was dragged in front of the camera, before pimp juice and pimp style. Though it is a tale of his times, it will remain current and true for as long as there is a race bias, as long as there is a street life, as long as there is exploitation.

  • Sales Rank: #2205010 in Books
  • Published on: 2011-05-10
  • Formats: Audiobook, Unabridged
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x .60" w x 5.30" l, .1 pounds
  • Running time: 41400 seconds
  • Binding: MP3 CD

Review
''Iceberg Slim was the godfather of a genre.'' -- K'wan, #1 Essence bestselling author

''One of the greatest black writers in American history.'' --Ice-T

''Pimp is an eye-boggling netherworld documentary, a (--) tale of ferocious emotion, expressed through action.'' -- Q

''The best-known pimp of our time.'' --Washington Post

About the Author
ICEBERG SLIM (1918-1992), a.k.a. Robert Beck, was born in Chicago and initiated into the life of the pimp at age eighteen. He briefly attended the Tuskegee Institute but dropped out to return to the streets of the South Side, where he remained, pimping, until he was forty-two. After several stints in jail, culminating in a ten-month stay in Cook County, he decided to give up the life and turned to writing. With a family to feed, he folded his life into the pages of Pimp, which emerged as a definitive chronicle of street life. Slim was catapulted into the public eye as a new American hero, known for speaking the truth whether that truth was ugly, sexy, rude, or blunt. He published six more books based on his life and different aspects of the ghetto black, pimp community. Slim died at age seventy-three in 1992, one day before the Los Angeles riots.

Excerpt. � Reprinted by permission. All rights reserved.
Pimp EPILOGUE
I am lying in the quiet dawn. I am writing this last chapter for the publisher.

I am thinking, “How did a character like me, who for most of his life had devoted himself to the vilest career, ever square up? By all the odds, I should have ended a broken, diseased shell, or died in a lonely prison cell.”

I guess three of the very important reasons are lying asleep in the bedroom across the hall. I can see their peaceful, happy faces. They don’t know how hard and often discouraging it is for me to earn a living for them in the square world.

This square world is a strange place for me. For the last five years I have tried hard, so hard, to solve its riddles, to fit in.

Catherine, my beautiful wife, is wonderful and courageous. She’s a perfect mother to our adorable two-year-old girl, and our sturdy, handsome three-year-old boy.

In this new world that isn’t really square at all, I have had many bitter experiences. I remember soon after my marriage how optimistic I was as I set out to apply for the sales jobs listed in the want ads.

I knew that I was a stellar salesman. After all, hadn’t I proved my gift for thirty years? The principles of selling are the same in both worlds. The white interviewers were impressed by my bearing and apparent facility with words. They sensed my knowledge of human nature.

But they couldn’t risk the possible effect that a Negro’s presence would have on the firm’s all white personnel. In disgust and anger, I would return home and sulk. Bitterly I would try to convince myself to go back into the rackets. Catherine always said the right things and gave me her love and understanding.

There was another indispensable source of help and courage during these hard times. She’s a charming, brilliant woman. She had been a friend to my mother. She functioned as a kind of psychotherapist. She explained and pointed out to me the mental phases I was passing through. She gave me insight to fight the battle. To her I shall always be grateful.

The story of my life indicates that my close friends were few. Shortly before I started this book I met a man I respected. I thought he was a true friend. I was bitterly disillusioned to discover he wasn’t. I’m glad in a way it turned out the way it did. I’ve always come back stronger after a good kick in the ass.

I have had many interesting and even humorous experiences in this new life. They will have to wait for now. I see my little family is awake. I’ll have to light the heater. I can’t let them get up in the early morning chill.

How about it, an Iceberg with a warm heart?|Pimp PREFACE
In this book I will take you, the reader, with me into the secret inner world of the pimp. I will lay bare my life and thoughts as a pimp. The account of my brutality and cunning as a pimp will fill many of you with revulsion, however, if one intelligent, valuable young man or woman can be saved from the destructive slime; then the displeasure I have given will have been outweighed by that individual’s use of his potential in a socially constructive manner.

I regret that it is impossible to recount to you all of my experiences as a pimp. Unfortunately, it would require the combined pages of a half-dozen books. Perhaps my remorse for my ghastly life will diminish to the degree that within this one book I have been allowed to purge myself. Perhaps one day I can win respect as a constructive human being. Most of all I wish to become a decent example for my children and for that wonderful woman in the grave, my mother.|Pimp 1
TORN FROM THE NEST
Her name was Maude and she Georgied me around 1921. I was only three years old. Mama told me about it, and always when she did her rage and indignation would be as strong and as emotional perhaps as at the time when she had surprised her, panting and moaning at the point of orgasm with my tiny head wedged between her ebony thighs, her massive hands viselike around my head.

Mama worked long hours in a hand laundry and Maude had been hired as a babysitter at fifty cents a day. Maude was a young widow. Strangely, she had a reputation in Indianapolis, Indiana as a devout Holy Roller.

I have tried through the years to remember her face but all I can remember is the funky ritual. I vaguely remember, not her words but her excitement when we were alone.

I remember more vividly the moist, odorous darkness and the bristle-like hairs tickling my face and most vividly I can remember my panic, when in the wild moment of her climax, she would savagely jerk my head even tighter into the hairy maw.

I couldn’t get a breath of air until like a huge black balloon she would exhale with a whistling whoosh and relax, limply freeing my head.

I remember the ache of the strain on my fragile neck muscles, and especially at the root of my tongue.

Mama and I had come to Indianapolis from Chicago, where since the time when she was six months pregnant, my father had begun to show his true colors as an irresponsible, white-spats-wearing bum.

Back in that small town in Tennessee, their home town, he had stalked the beautiful virgin and conned her into marriage. Her parents, with vast relief, gave their blessing and wished them the best in the promised land up North in Chicago.

Mama had ten brothers and sisters. Her marriage meant one less mouth to feed.

My father’s father was a skilled cook and he passed his know how to my father, who shortly after getting to Chicago scored a chef’s job at a huge middle-class hotel. Mama was put on as a waitress.

Mama told me that even with both of them working twelve hours a day, six days a week they couldn’t save a nickel or buy furniture or anything.

My idiot father had come to the big city and gone sucker wild. He couldn’t stay away from the high-yellow whores with their big asses and bitch-dog sexual antics. What they didn’t con him out of he lost in the cheat crap joints.

At the hotel one night he vanished from the kitchen. Mama finally found him thrusting mightily into a half-white waitress lying on a sack of potatoes in a storage room, with her legs locked around his back.

Mama said she threw everything she could lift at them. They were unemployed when they walked away from the shambles.

My father tearfully vowed to straighten himself out and be a man, but he didn’t have the will, the strength to resist the cheap thrills of the city.

After my birth he got worse and had the stupid gall to suggest to Mama that I be put on a Catholic Church doorstep. Mama naturally refused so he hurled me against the wall in disgust.

I survived it and he left us, his white spats flashing and his derby hat at a rakish angle.

It was the beginning of a bitter winter. Mama packed pressing irons and waving combs into a small bag and wrapped me warmly in blankets and set out into the bleak, friendless city to ring door bells, the bag in one arm and I in the other.

Her pitch was something like this, “Madam, I can make your hair curly and beautiful. Please give me a chance. For fifty cents, that’s all, I will make your hair shine like new money.”

At this point in the pitch Mama told me she would slip the blanket aside to bare my wee big-eyed face. The sight of me in her arm on a subzero day was like a charm. She managed to make a living for us.

That spring, with new friends of Mama’s we left Chicago for Indianapolis. We stayed there until nineteen twenty-four, when a fire gutted the hand laundry where Mama worked.

There were no jobs in Indianapolis for Mama and for six months we barely made it on the meager savings. We were penniless and with hardly any food when a tall black angel visiting relatives in Indianapolis came into our lives.

He fell instantly in love with my lissome beautiful mother. His name was Henry Upshaw, and I guess I fell as hard for him as he fell for Mama.

He took us back to Rockford, Illinois with him where he owned a cleaning and pressing shop, the only Negro business in downtown Rockford.

In those tough depression times a Negro in his position was the envy of most Negro men.

Henry was religious, ambitious, good and kind. I often wonder what would have happened to my life if I had not been torn from him.

He treated Mama like she was a princess, anything she wanted he got for her. She was a fashion plate all right.

Every Sunday when we all three went to church in the gleaming black Dodge we were an outstanding sight as we walked down the aisle in our fresh neat clothing.

Only the few Negro lawyers and physicians lived as well, looked as well. Mama was president of several civic clubs. For the first time we were living the good life.

Mama had a dream. She told it to Henry. Like the genie of the lamp he made it a reality.

It was a four stall, opulent beauty shop. Its chrome gleamed in the black-and-gold motif. It was located in the heart of the Negro business section and it flourished from the moment its doors opened.

Her clientele was for the most part whores, pimps, and hustlers from the sprawling red light district in Rockford. They were the only ones who always had the money to spend on their appearance.

The first time I saw Steve he was sitting getting his nails manicured in the shop. Mama was smiling into his handsome olive-tinted face as she buffed his nails.

I didn’t know when I first saw him that he was the pin-striped snake who would poison the core of our lives.

I certainly had no inkling that last day at the shop as live billows of steam hissed from the old pressing machine each time Henry slammed its lid down on a garment.

Jesus! It was hot in that little shop, but I loved every minute of it. It was school-vacation time for me and every summer I worked in the shop all day, every day helping my stepfather.

That day as I saw my reflection on the banker’s expensive black shoes, I was perhaps the happiest black boy in Rockford. As I applied the sole dressing I hummed my favorite tune “Spring Time in the Rockies.”

The banker stepped down from the shine stand, stood for a moment as I flicked lint from his soft, rich suit, then with a warm smile he pressed an extravagant fifty-cent piece into my hand and stepped out into the broiling street.

Now I whistled my favorite tune, shines were only a dime, what a tip.

I didn’t know at the time that the banker would never press another coin into my hand, that for the next thirty-five years this last day would be remembered vividly as the final day of real happiness for me.

I would press five-dollar bills into the palms of shine boys. My shoes would be handmade, would cost three times as much as the banker’s shoes, but my shoes, though perfectly fitted would be worn in tension and fear.

There was really nothing out of the ordinary that day. Nothing during that day that I heard or saw that prepared me for the swift, confusing events that over the weekend would slam my life away from all that was good to all that was bad.

Now, looking back remembering that last day in the shop as clearly as if it were yesterday, my stepfather, Henry, was unusually quiet. My young mind couldn’t grasp his worry, his heart break.

Even I, a ten year old, knew that this huge, ugly, black man who had rescued Mama and me from actual starvation back in Indianapolis loved us with all of his great, sensitive heart.

I loved Henry with all my heart. He was the only father I had ever really known.

He could have saved himself an early death from a broken heart if instead of falling so madly in love with Mama he had run as fast as he could away from her. For him, she was brown-skin murder in a size-twelve dress.

That last night at eight o’clock Dad and I flicked the shop’s lights out as always at closing.

In an emotion muffled voice he spoke my name “Bobby.”

I turned toward him and looked up into his face tense and strained in the pale light from the street lamp. I was confused and shaken when he put his massive hands on my shoulders and drew me to him very tightly just holding me in this strange desperate way.

My head was pressed against his belt buckle. I could barely hear his low, rapid flow of pitiful words.

He said, “Bobby, you know I love you and Mama, don’t you?”

His stomach muscles were cording, jerking against my cheek. I knew he was going to burst into tears.

I said as I squeezed my arms around his waist, “Yes, Daddy, yes, Daddy. We love you too, Daddy. We always will, Daddy.”

He was trembling as he said, “You and Mama wouldn’t ever leave me? You know Bobby, I ain’t got nobody in the world but you two. I just couldn’t go on if you left me alone.”

I clung tightly to him and said, “Don’t worry Daddy, we’ll never leave you, I promise, honest, Daddy.”

What a sight we must have been, the six-foot-six black giant and the frail little boy holding on to each other for dear life, crying there in the darkness.

I tell you when we finally made it to the big black Dodge and were riding home my thoughts were turning madly.

Yes, poor Henry’s fears had foundation. Mama had never loved my stepfather. This kind, wonderful man had only been a tool of convenience. She had fallen in love with the snake all right.

His plan was to cop Mama and make it to the Windy. The dirty bastard knew I would be excess baggage, but the way Mama was gulping his con, he figured he could get rid of me later.

Only after I had become a pimp years later would I know Steve’s complete plot, and how stupid he really was.

Here this fool had a smart, square broad with a progressive square-john husband, infatuated with him. Her business was getting better all the time.

Her sucker husband was blindly in love, and the money from his business was wide open to her. If Steve had been clever he could have stayed right there on top of things and bled a big bankroll from the businesses in a couple of years.

Then he could have pulled Mama out of there and with a big bankroll he could have done anything with her, even turned her out.

I tell you she was that hot for him. She had to be insane over the asshole to walk away from all that potential with only twenty-five hundred in cash.

Steve blew it in a Georgia-skin game within a week after we got to Chicago.

I have wished to Christ, in four penitentiaries, that the lunatic lovers had left me in Rockford with Henry when they split.

One scene in my life I can never forget and that was that morning when Mama had finished packing our clothes and Henry lost his inner fight for his pride and dignity.

He fell down on his knees and bawled like a scalded child, pleading with Mama not to leave him, begging her to stay. He had welded his arms around her legs, his voice hoarse in anguish, as he whimpered his love for us.

His agonized eyes walled up at her as he wailed, “Please don’t leave me. You are sure to kill me if you do. I ain’t done nothing. If I have, forgive me.”

I will never forget her face, as cold as an executioner’s, which she was, as she kicked and struggled loose from him.

Then with an awful grin on her face she lied and said, “Henry, Honey, I just want to get away for a while. Darling, we’ll be back.”

In his state she was lucky he hadn’t killed her and me, and buried us in the backyard.

As the cab drove us away to the secret rendezvous with Steve sitting in his old Model T, I looked back at Henry on the porch, his chest heaving as tears rolled down his tortured face.

There were too many wheels within wheels, too much hurt for me to cry. After a blank time and distance we got to Chicago. Steve had vanished and Mama was telling me in a drab hotel room that my real father was coming over to see us, and to remember that Steve was her cousin.

Steve was stupid all right, but cunning, if you get what I mean.

Mama, at Steve’s instruction, weeks before, had gotten in contact with my father through a hustler brother of Mama’s in Chicago.

When my father came through the hotel room door reeking of cologne and dressed to kill, all I could think was what Mama had told me about that morning when this tall brown-skin joker had tossed me against the wall.

He took a long look at me. It was like looking in a mirror. His deep down guilt cream puffed him and he grabbed me and squeezed me to him. I was stiff and tense in the stranger’s arms, but I had looked in the mirror too when he came in, so I strung my arms limply about his neck.

When he hugged Mama, her face was toward me and stony, like back there with Henry. My father strutted about that hotel room boasting of his personal chef’s job for Big Bill Thompson the mayor of Chicago.

He told Mama and me, “I am a changed man now. I have saved my money and now I really have something to offer my wife and son. Won’t you come back to me and try again? I am older now, and I bitterly regret my mistakes of the past.”

Like a black-widow spider spinning a web around her prey, Mama put up enough resistance to make him pitch himself into a sweat then agreed to go back to him.

My father’s house was crammed with expensive furniture and art pieces. He had thousands of dollars invested in rich clothing and linens.

After a week, my hustler uncle brought Steve to visit us, and to case the lay out. My father bought the cousin angle and broke out his best cigars and cognac for the thieves. It was another week before they took him off.

Remember, at the time I had no idea as to what really was going to happen. I would learn the shocking truth only after we got to Milwaukee.

On that early evening when it happened Mama was jittery as we prepared to visit some close white friends of my father. I had a wonderful time getting acquainted with the host’s children who were around my age. Too soon it was time to go home.

In my lifetime I have seen many degrees of shock and surprise on the human face. I have never seen on any face the traumatic disbelief and shock that was on my father’s face when he unlocked the door and stepped into his completely empty house. His lips flapped mutely. He couldn’t speak. Everything was gone, all the furniture and drapery, everything, from the percolator to the pictures on the wall, even my Mama’s belongings.

Mama stood there in the empty house clinging to him, comforting him, sobbing with real tears flowing down her cheeks. I guess she was crying in joy because the cross had come off so beautifully.

Mama missed her calling. She should have been a film actress. With only a bit part, an Oscar a season would have been a lead-pipe cinch for her.

Mama told my father we would go to Indianapolis to friends until he could put another nest together.

When we got to Milwaukee by train, ninety miles away, Steve had rented a house. Every square inch of that house was filled with my father’s things.

Those lovely things did us little good and brought no happiness. Steve, with his mania for craps, within weeks had sold everything, piece by piece, and lost it across the craps table.

Mama worked long hours as a cook, and Steve and I were alone quite often.

At these times he would say, “You little mother-fucker, you. I’m going to beat your mother-fucking ass. I am telling you, if you don’t run away, I’m going to kill you.”

He was just so cruel to me. My mother had bought me a little baby cat. I loved that kitten, and this man hated animals. One day the cat, being a baby cat, did his business on the kitchen floor.

Steve said, “Where is that little mother-fucker?”

The little kitten had hidden under the sofa. He grabbed that kitten and took it downstairs where there was a concrete wall. He grabbed it by the heels. I was standing (we lived on the second floor) looking down at him; he took the kitten and beat its brains out against that wall.

I remember, there was a park behind our house, concrete covered. There were some concrete steps. I sat there and I cried until I puked. All the while I kept saying like a litany, “I hate Mama! I hate Mama! I hate Mama!” And, “I hate Steve! I hate Steve! I hate him! I hate him!”

For many tortured years she would suffer her guilt. She had made that terrible decision on that long ago weekend.

I know my lousy old man deserved what happened to his goods. I know Mama got her revenge and it was sweet I am sure, but it was bitter for a kid like me to know that Mama was part of it.

Perhaps if Mama had kept that burglary cross a secret from me, in some tiny way I might have been stronger to fight off that pimping disease. I don’t know, but somehow after that cross Mama just didn’t seem like the same honest sweet Mama that I had prayed in church with back in Rockford.

I went to her grave the other day and told her for the hundredth time since her death, “Mama, it wasn’t really your fault. You were a dumb country girl, you didn’t understand. I was your first and only child. You couldn’t have known how important Henry was to me.”

I choked up, stopped talking to her beneath the silent sod, and thought about Henry lying rotten, forgotten in his grave.

Then, through my tight throat I said to Mama, “To you he was ugly, but Mama I swear to heaven he was so beautiful to me. I loved him Mama, I needed him. I wish you could have seen beyond his ugly black face and loved him a little and stayed with him. Mama, we could have been happy, our lives would have been different, but I don’t blame you. Mama, I love you.”

I paused looking up at the sky, hoped she was up there and could hear me, then I went on, “I just wish you were alive now, you would be so proud of me. I am not a lawyer as you always wanted me to be, but Mama, you have two beautiful grandchildren and another on the way, and a fine daughter-in-law who looks a lot like you when you were young.”

The grave next to hers had visitors, an old man and a bright eyed girl about ten.

I stopped my bragging until the pair walked away, then I said, “Mama, I haven’t shot any H in ten years. I haven’t had a whore in five years. I have squared up, I work every day. How about it Mama, Iceberg Slim a square? You wouldn’t believe it Mama, I wear fiftydollar suits right off the rack, and my car is ten years old, you gotta believe it now Mama. Goodbye Mama, see you at Christmas, and remember, I’ll always love you.”

When I walked away from her grave I thought, “I don’t know, maybe that prison head-shrinker was right when he told me I had become a pimp because of my unconscious hatred for my mother.”

I know one damn thing, I can’t help crying at her grave almost as if I was crying because I did so much to put her there. Maybe the hidden hate that I can’t feel wants me to laugh that she’s down there in the earth. Maybe my crying is really laughing.

About ninety days after Steve smashed my kitten Mama cast off her spell, and one gray April dawn while Steve lay in a drunken, open-mouthed stupor, Mama and I packed what we could carry and moved into a hotel room. It was complete with hot plate and downthe-hall toilet.

Steve had stomped on three and a half years of our lives. I would soon be fourteen.

On August fourth, my birthday, our old friend Steve, with diabolical timing, made that event unforgettable. Since that chilly dawn in April he had searched the slum streets for his escaped dupes, thirsty for revenge.

I waited eagerly in the hotel room for Mama who had promised to bake a cake in her white woman’s kitchen. She said she would be home early at six o’clock to celebrate my birthday.

Well, she came home all right on the seventh of August, from a hospital, with her broken jaw wired, and her body covered with bruises.

Steve had stalked her and attacked her with his fists and feet and then escaped through the grimy catacombs of the Ghetto.

All that night and all the next day I crouched in the dark shadows beneath his stairwell gripping a gleaming ice pick. He never came back. He had moved.

Twenty years later, while idly looking from the window of a plush hotel suite I would see something familiar in the white-haired stooped figure of a garbage collector on the street three stories down.

I blacked out, when reason returned I was down there on the street in the bright morning sunlight, clutching a pistol, wearing only a pair of red silk pajamas.

As the garbage truck turned the corner a block away out of range, a small crowd of passersby stood bug-eyed watching the strange scene as Rachel, my main whore, tugged at my arm, pleaded with me to get off the street.

That was the last time I saw Steve, but I just don’t know, even now, what I would do if our paths crossed.

Perhaps that beating Mama took was good, as painful as it was. I remember how it worried me in that cruddy hotel room when the hotel’s neon sign outside our window would flash on her face. Her eyes would be bright, riveted on the ceiling, she would be in a trance, remembering, still hot for him.

As worthless as that bastard was otherwise, he sure must have been a son-of-a-bitch in the bed.

After all he had done to us, she still had a terrible itch for the bastard. That beating was good for her, it cured the itch.

Mama had learned a bitter lesson the hard way. The country girl had rolled in the hay with the city slicker and now I saw all of her sorrow and guilt in her eyes.

We couldn’t go back to the peaceful, green hills of Rockford. She had destroyed a good man back there, a native son. Henry died a year after we left him. Until the grave claimed her, Henry would rise from his own to haunt her in the lonely gloom.

Mama was desperate to save at least fragments of her image, to hold fast the love and respect I had for her in Rockford. I had seen too much, had suffered too much. The jungle had started to embalm me with bitterness and hardness.

I was losing, page by page, the fine rules of thought and deed that I had learned in church, from Henry to the Boy Scout Troop in Rockford. I was sopping up the poison of the street like a sponge.

I had begun to play Steve’s favorite game, craps, in the alleys after school.

Dangerously, I was frantic to sock it into every young girl weak enough to go for it. I had to run for my life one evening when an enraged father caught me on his back porch punching animal-like astraddle his daughter’s head. I had become impatient with the unusual thickness of her maidenhead.|Pimp GLOSSARY
APPLE, New York City

BANG, injection of narcotics

BEEF, criminal complaint

BELL, notoriety connected to one’s name

BILL, a hundred dollars

BIT, prison term

BITE, price

BLACK GUNION, powerful, thick, dark, gummy marijuana

BOO KOOS, plenty

BOOSTER, shoplifter

BOOT, Negro

BOSS, very good, excellent

BOTTOM WOMAN, pimp’s main woman, his foundation

BOY, heroin

BREAKING LUCK, a whore’s first trick of working day

BRIGHT, morning

BULL SCARE, blustering bluff

BUSTED, arrested and/or convicted

C, cocaine

CANNON, pickpocket

CAN, derriere

CAP, a small glycerin container for drugs

CAT, female sexual organ

CHILI PIMP, small-time one-whore pimp

CHIPPIED, light periodic use of heavy drugs

CHUMP CHANGE, just enough money for basic needs

CIRCUS LOVE, to run the gamut of the sexual perversions

COAST, somnolent nodding state of heroin addict

COCKTAILED, to put a marijuana butt into the end of a conventional cigarette for smoking

COME DOWN, return to normal state after drug use

COP AND BLOW, pimp theory, to get as many whores as leave him

COPPED, get or capture

CRACK WISE, usually applied to an underworld neophyte who spouts hip terminology to gain status

CROAK, kill

CROSSES, to trick or trap

CUT LOOSE, to refuse to help, to disdain

DAMPER, a place holding savings, a bank, safe deposit box, etc.; to stop or quell

DERBY, head, refers to oral copulation

DIRTY, in possession of incriminating evidence

DOG, older, hardened whore, or young sexual libertine

DOSSING, sleeping

DOWN, a pimp’s pressure on a whore, or his adherence to the rules of the pimp game; when a whore starts to work

FIX, to bribe so an illegal operation can go with impunity; also an injection of narcotics

FLAT-BACKER, a whore who gets paid for straight sexual intercourse

FREAK, sexual libertine

FRENCH, oral copulation

G, one thousand dollars

GANGSTER, marijuana

GEORGIAED, to be taken advantage of sexually without receiving money

GIRL, cocaine

GORILLA, to use physical force

GORILLA PIMP, no brains, all muscle

GRAND, one thousand dollars

H, heroin

HARD LEG, an older, street-hardened used-up whore

HEAT, police, or adverse street conditions for hustlers

HIDE, wallet

HOG, Cadillac

HOOKS, hands

HORNS, ears

HYPE, addict

JASPER, lesbian

JEFFING, low level con

JIB, mouth

KEISTER, derriere

KITE, note

KITTY, Cadillac

LARCENY, to turn against by vocal condemnation

LINES, money

LIP, lawyer

MACKING, pimping

MARK, victim; sucker

MITT MAN, a hustler who uses religion and prophecy to con his victims, usually the victims are women

MOP, hair

MUCKTY-MUCKS, a temptuous term applied to the rich and privileged by the poor and underprivileged

MURPHY, con game played on suckers looking for whores

NUT ROLL, a pretense at stupidity or unawareness

OKEE DOKE, a con game

OIL, pay-off money to the police

OUTFIT, hypodermic kit used by addicts

PACIFIER BULB, the rubber top of a baby’s pacifier used by addicts to draw up drugs through the eye dropper

PIECE, measurement of narcotics; usually an ounce

PIECE OF STUFF, one ounce of narcotics

PINNING, looking

POKE, wallet or bankroll

REEFER, marijuana

ROLLER, policeman, usually plain clothes

ROUST, stopped, harassed by police

SHAKE, extort

SHEET, police record

SHIELD, badge

SHIV, knife, usually made by convicts from various objects

SHORT, car

SIZZLE, narcotics carried on the person

SLAT, one usually refers to money or length of prison term

SLUM HUSTLER, a phony jewelry salesman

SMACK, heroin

SNATCH, female sexual organ

SNORT, sniff or inhale

SPADE, Negro

SPEED BALLS, a combination of heroin and cocaine injected

SPIC, Mexican

SPIELING, talking, a term used by older hustlers and pimps

SQUARE UP, get out of the life

STABLE, a group of whores belonging to one pimp

STALL, an accomplice of a cannon

STAND UP, to endure or survive

STASH, hiding place

STING, rob

STRIDES, trousers

STUFF ON, to play on or con

THREADS, clothes

THREE WAY, orally, rectally, vaginally

TO PULL COAT, to inform and teach

TURNED OUT, introduced to the fast life or drugs

UPTIGHT, in trouble, financial or otherwise

VIC, mark, victim

VINE, suit

WHALE, throw, usually applied to throwing dice

WIRE, information, message, etc.

YEASTING, to build up or exaggerate

YELLOW, a yellow capsule containing barbiturate powder

PRAT, to pretend rejection to increase desire

PEEL OFF, removal of only a portion of money from a wallet or roll

Most helpful customer reviews

3 of 3 people found the following review helpful.
A violent ugly story told with passion and dramatic and creative use of the language.
By Kindle Customer
This is an exciting book that provides a authentic ( it would seem) look into the seedy underside of a shadowy segment of America post World War II. Iceberg Slim was a big time pimp who experienced the peaks and many valleys of a life devoted to hustling and avoiding the " square life". Afternoon a number of "bits" in a range of correctional facilities he comes to realization he has wasted his life and goes straight in time to reconnect with his mother and find a wife and family to keep his redemptive life style on tract.
This guy makes the language do things you did not think possible. He makes good use of underworld and black slang but goes further in using combinations of words tableau off the page and puts you in the middle of the action.
This is a powerful book that not only provides insight into the sordid world of prostitution but also the anguish and pain arising from America's racial divide.

3 of 3 people found the following review helpful.
Raw & Mesmerizing
By Isaiah Osofisan
It had been literally months since I last read a full book and "Pimp" has rekindled my passion for prose. The content of the story is deeply disturbing yet delivered with a linguistic swagger that keeps the reader enthralled and oftentimes in awe. It is a glimpse into the psyche of not only a mid-century American pimp, but the identity of urban African Americans through the lens of "the street". The detailed journey, which is recalled from the depression through the late 1950's gives the reader a startling insight into the thought process of a young adult yearning to realize underworld ambitions. The lengths the author goes to in order to grasp this dream and the depths to which he sinks are sometimes astonishing but more frequently sickening. He is acutely aware of the immorality of his profession yet vehemently pursues it with icy selfish indifference. This is not simply a stylistically groundbreaking book about some pimp. It is a commentary on the state and the plight of the African American struggling to find a place in the burgeoning post-war era of American history.

1 of 1 people found the following review helpful.
intruiging
By ArtFan
I hadn't realized there was so much psychological manipulation involved in the pimping game. Not just on the part of the pimp, but the ladies too. Everybody out to con eachother and double-cross eachother Everyone scheming, scheming. I guess if I had thought about it, it would have made sense. But even after reading the book, one thing I still don't understand is why these women so readily hand over all the money they make to the pimp? Supposedly because the pimp protects them, but I didn't see any evidence of this in the book. Not once did Iceberg go out on the street and defend them against anybody. In fact the only abuse they seemed to suffer was at the hands of the pimp. So that's still an unanswered question for me. It's interesting how the pimp turns a girl out - every time he described it I was reminded of the process a cowboy uses to tame a wild mustang. Are women so easily swayed into prostitution? He talks many times about how he would go into a diner and convince some young waitress to quit her job and become a whore. In any case, it's an interesting book overall, he sure knows how to tell a story. The book has merit on two grounds: 1) the storytelling ability of the author, 2) the uncommon nature of the subject matter. But saying it has merit is solely from a literary perspective. The actual events depicted are brutal and, as another reviewer says, the way he treated women was atrocious.. Which again begs the question: why did they let him?

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Rabu, 21 November 2012

[G293.Ebook] PDF Ebook The Victorian Supernatural (Cambridge Studies in Nineteenth-Century Literature and Culture)From Cambridge University Press

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The Victorian Supernatural (Cambridge Studies in Nineteenth-Century Literature and Culture)From Cambridge University Press

This collection brings together essays by scholars from literature, history of art and history of science which explore the diversity of Victorian fascination with the supernatural: ghosts and fairies, table-rappings and telepathic encounters, occult religions and the idea of reincarnation, visions of the other world and a reality beyond the everyday. These essays demonstrate that the supernatural was not simply a reaction to the "post-Darwinian loss of faith", but was embedded in virtually every aspect of Victorian culture.

  • Sales Rank: #2576073 in Books
  • Published on: 2009-06-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .67" w x 5.98" l, 1.06 pounds
  • Binding: Paperback
  • 328 pages

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