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A Crack in the Line (The Aldous Lexicon 1), by Michael Lawrence
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WHAT IF SOMEONE ELSE WAS LIVING YOUR LIFE? SOMEONE OF THE OPPOSITE SEX...
Naia Underwood has a double in another version of her reality: a male double called Alaric. For almost seventeen years their lives have been identical but for one thing. Alaric's mother died following a train derailment two years ago - the same derailment that Naia’s mother survived. Now, Naia and Alaric are about to meet for the first time, with disastrous consequences for one of them...
A CRACK IN THE LINE is the first of a much-praised three novel sequence called The Aldous Lexicon. Volume two is SMALL ETERNITIES, volume three THE UNDERWOOD SEE. All three are also available as a single ebook, titled simply THE ALDOUS LEXICON.
Set in England - primarily in 2005 but ranging back and forth over many years - the trilogy was originally published in the US by Greenwillow and HarperTeen as The Withern Rise Trilogy. The ebook editions are revised versions of the print volumes, with some additional material and considerable re-editing.
A Crack in the Line was shortlisted for:
The Michael L. Printz Award (US)
The Georgia Peach Book Award (US)
The Lancashire Children's Book of the Year Award
The North-East of England Book Award
Recommended by The American Library Association as one of the year's most imaginative works of fiction.
'The book's conclusion, with its shocking metamorphosis, is sure to spark passionate discussion' (Booklist Starred Review, US)
'A spine-tingling thriller about parallel worlds. These are brilliant, thought-provoking novels about grief, responsibility and choice.' (The Times, London)
'A thought-provoking tale packed with mystery and suspense' (The Bookseller)
‘At once incisive and insightful, this criminally under-rated sequence represents some the strongest and most influential contributions to teenage fiction in recent years.’ (Jake Hope, Achuka)
'Emotionally wrenching yet satisfying' (Locus Magazine, US)
- Sales Rank: #419224 in eBooks
- Published on: 2011-03-31
- Released on: 2011-03-31
- Format: Kindle eBook
From School Library Journal
Grade 7-10–Alaric and Naia, both 16, have nearly identical lives in parallel worlds. Their parents, their house, and their circumstances are the same, with one major difference. Alaric's mother was killed in a train wreck, while Naia's mother survived. This story of alternate realities raises questions about how one's life might be changed forever by a certain turn of events. Alaric's home is dreary, dirty, and joyless and he misses his mother terribly. Naia lives in a world of light and privilege, with a clean, nicely furnished house and two loving parents. Through an association with a tree in the garden of their mutual home, the two teenagers travel back and forth from one world to the other. Working together, they try to make sense of what has happened to them and why. This is a very engaging tale at the outset. Lawrence vividly describes the same house under radically different circumstances and it becomes the focal point of the story. The dialogue contains some British slang and humor but is not difficult to follow. Ultimately Alaric and Naia trade places irreversibly, so that it is now Naia who is motherless. Readers may be left wondering what all this means, but will need to wait for the next volume in the series for a possible explanation.–Bruce Anne Shook, Mendenhall Middle School, Greensboro, NC
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Gr. 8-12. On the second anniversary of his mother's death, Alaric Underwood still grieves, but by placing his hands on his mother's small, beautiful handcrafted replica of their home, he can transport himself to the alternate reality his mother now inhabits, where he meets Naia, a girl who could be his twin. As similar as the teens' worlds are, chance has forced change. Naia's house is warm, orderly, and cared for; Alaric's is cold, chaotic, and unkempt. Alaric has a batty Aunt Liney who is missing from Naia's life, and he works an M. C. Escher jigsaw puzzle, one of the author's references to the artist's work, which includes chapter numbering that both descends and climbs. The first in a trilogy, this complex story of choices, fate, and acceptance is demanding. Teens will want to reread it to piece together the clues and connections. Sequels will likely clear up some of the mysteries, such as that of the teens' ancestor Aldous, but rich sensory details and acerbic secondary characters bring the multiplying realities to life in spite of the unsolved puzzles. Give this to older readers who enjoyed Jane Yolen's The Wild Hunt (1995) or Neil Gaiman's Coraline (2002); the book's conclusion, with its shocking metamorphosis,^B is sure to spark passionate discussion. Cindy Dobrez
Copyright � American Library Association. All rights reserved
Review
"A very engaging tale." -- School Library Journal
"An intriguing story of multiple universes." -- Kirkus Reviews
"The superior wordcraft, thorough world-building, and compassionate characterization make this novel an attractive choice." -- The Bulletin of the Center for Children’s Books
"The superior wordscraft, thorough world–building, and compassionate characterization make this novel an attractive choice." -- Bulletin of the Center for Children’s Books
Most helpful customer reviews
6 of 7 people found the following review helpful.
A suspenseful and engaging tale about alternate realities
By Teen Reads
Alaric is a sixteen-year-old boy who lives with his father in a crumbling old Victorian mansion that has been in his family for years. His mother died two years earlier in a horrific train crash, and his life has been going downhill since then. One snowy day, while alone, Alaric becomes reacquainted with the mansion he knows as his home. Once in a room that he has not sat in forever, he reaches for a familiar object. In a spilt second he is met with searing pain and the walls around him seem to come down. He opens his eyes to find himself lying in what appears to be the room he was just in, only it is cleaner and there is an unfamiliar girl standing before him.
Sixteen-year-old Naia and her parents live in a mansion that was named Withern Rise by one of her ancestors. Naia's mother faced a near-death experience two years ago, but Naia has tried her best to forget about it. It is certainly the farthest thought from her mind one snowy day when she finds a strange boy sitting on her living room floor. She can't figure out why he is there, why he is claiming it is really his house, or why he looks almost identical to her.
Can it be that two different realities exist at the same time --- one where Alaric lives with his father in Withern Rise and another where Naia is the only child to Alaric's father and the mother he lost two years ago? Alaric and Naia's discovery of each other brings about many startling events and realizations. Will Alaric and Naia be able to use each other to find out the truth about their own lives?
Michael Lawrence has written a suspenseful and engaging tale of two teenagers living the same life. There is even an alternate ending that gives another outlook to the story's conclusion, along with a surprising twist. This gripping novel --- which is the first volume of a trilogy --- cannot be put down until the very end.
--- Reviewed by Sara Cole
3 of 3 people found the following review helpful.
Fascinating, thought provoking
By molly
"At sixteen, Alaric and Naia were as alike as any two people of opposite sexes can be...They shared a history, a lineage, memories, and had lived all their lives in the same house, Withern Rise, where they had occupied the same room, done the same things, more often than not had the same thoughts at the very same instant. And yet...
They had never met."
Interesting way to start a novel, isn't it?
Alaric and Naia are closer than siblings, closer than twins. They are alternate versions of the same person, living in alternate dimensions, and when their lives are suddenly and inexplicably brought together by a carved model known as Lexie's Folly, they are forced to rethink everything they know about the universe, everything they know about their families, and everything they know about themselves.
Alaric's mother, Alex Underwood, was involved in a terrible train crash when he was fourteen. She had a fifty-fifty chance of dying. She died.
Naia's mother, Alex Underwood, was also involved in a train crash when she was fourteen. This Alex also had a fifty-fifty chance of dying. She lived.
Because of this difference, Alaric and Naia's temperaments are drastically different. Naia is joking and carefree, much like her mother, while Alaric is sullen and withdrawn, living an almost speechless life with his father in their old, drafty house. The only spark of light is his aunt Liney, who comes as a sort of babysitter while his father is away, and Alaric rejects her as well, still bitter over his mother's death.
This book, by itself, feels incomplete. It is. The story is so connected with the sequels, SMALL ETERNITIES and THE UNDERWOOD SEE that they are inseparable; but together, they form a thought-provoking, intricate, and ultimately tragic story about choices and unalterable consequences - even in a world where choices and actions can be relived, over and over again.
Rating: Masterpiece
2 of 2 people found the following review helpful.
One of The Best Post-1990s Novels
By Elliot Bowers
_____Take this from someone who's been reading science fiction and horror for over two decades: A CRACK IN THE LINE is one of the best novels to come along after the year 1990. It's not that the writing style stands out, and the characters aren't going to win any awards any time soon (other than the wacky aunt). What really and truly nails it for this novel is the plot and its attached themese. Highly original, highly captivating, and ever-developing, I have only found one other novel that ventured into similar territory. Hundreds of thousands of novels are published every year, but the sci-fi publishing industry has become so inbred that originality is dead. This writer has to be thanked for breaking conventions and being a standout.
_____Now, get a gander at this plot, and I challenge you to find a sci-fi novel in your local library or bookstore that even comes close: a kid with rotten luck in life has found a means of tapping into a parallel universe where there is a different version of himself living a much different life. Then comes this interplay between the main character and the other version--even disagreeing with this other self. It's a science fiction novel that asks some seriously hard-hitting questions. Is life fair? How would YOU have lived life differently? It's an entertaining read on its surface, but the deeper themes and high originality are things that will keep you coming back to read it again.
_____I'm not so much posting this review just as a review of a novel but also in regards to science fiction overall. Originality is winning big points with me nowadays, and A CRACK IN THE LINE has so much going for it in that regard. First up, it's a sci-fi novel that happens on Earth. It's not a time-travel story; it's a parallel universe story. Physicists have come up with evidence of parallel universes, but sci-fi writers have left this theme almost totally unexplored. All the sci-fi writers of the past twenty years have essentially been writing the same damned story: the (Federation or Empire) is under threat, and a group (star fleet captain or ragtag bunch of space-hippie explorers) finds a magical space gods that fix it all at the end. A CRACK IN THE LINE is not about aliens, space hippies, or the endless Luke Skywalker/Captain Kirk clones that have been in every novel put out by TOR, BAEN, or DEL RAY. No, A CRACK IN THE LINE is a science fiction novel that is about you and your life too--a life here on this planet, wondering if things could have been different.
_____Otherwise, if you want original science fiction... GOOD LUCK. Since the mega-media mergers of the early 1990, sci-fi has destroyed originality and has done almost nothing but publish Star Wars/Star Trek knock-offs that all have the same ending. Fantasy rules bookstores and movie theaters now, and sci-fi writers have become an inbred clannish group. (You want proof? Okay, Greg Bear the sci-fi writer is married to the daughter of Poul Anderson. Do a search for "science fiction" and "nepotism.) Instead of lambasting the very worst of post-1990s science fiction, I'm doing what I should have done years ago: pointing out sci-fi novels worth reading. There's almost nothing but formula-driven garbage in sci-fi being published nowadays, which is why fantasy is so powerful and romance out-sells sci-fi three to one. But since I still firmly believe that the sci-fi genre is so critical--especially in an age of genetic engineering, computer science, computerized prosthetics connected to brains, global warming, and more. For the sake of championing originality, I highly recommend Lawrence's A CRACK IN THE LINE.
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